![]() Raw Details Enhancer takes these common issues into account and has been ‘trained’ on over a billion examples to make its interpretations more accurate. The better your camera sensor and processing units, the better the untangling of the finer details will eventually be, but when you reach its limit you might start to get moiré patterns, soft edges and incorrect (or sharp changes in) colours. ![]() the process can sometimes struggle, and that’s where you start to get issues like artifacts like noise or blotchiness. In something like a sky or areas of similar colour, this is fairly straightforward, but when you get into busier parts of a photograph where there are lots of textures, patterns etc. Your software then goes through a process called demosaicing (or de-mosaicing, demosaicking or debayering) where it (using an algorithm) looks at neighbouring pixels to make a judgement about how much of that colour the light would contained (called interpolation). Whichever colour it records, it’ll disregard the other two. To understand how Super Resolution works, you need to know about Raw Details Enhancer as it uses a similar technique.Įach pixel your camera captures is only one of three colours: red, green or blue. Likewise, you might have images on an old camera, or even on your phone, that look great but are so few megapixels that they don’t lend well to being increased in size for print. Or if you’re in a position where you’ve had to shoot from a distance (photographing wild animals for example) then that extra crop would be really useful in getting the image you really want. If you’ve got an archive of images taken with older generation DSLR cameras, Super Resolution can open them up to new potential. It doesn’t just work on RAW files either, you can run this on JPEG and TIFF, meaning you can, in theory, now get a lot more mileage out of your photographs. This is the equivalent of increasing your pixel count a whopping 4 times. In a similar way to Raw Details (formerly Enhance Details) it sharpens edges, improves colour and reduces artifacts, but its biggest claim is to do all of this plus 2x the linear resolution (twice the width and height of the original). ![]() Super Resolution is fairly new, having been introduced in ACR 13.2. ![]()
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